Video: Steadicam progress – the career of Paul... →
ohsodevine: Thinking on what sets The Master apart from Paul Thomas Anderson’s earlier films, what strikes me most vividly is a marked difference in camera movement and staging. I wouldn’t be surprised if a proper cinemetric analysis found that up to half of the film’s running time consists of close-ups with little to no camera movement. This is a far cry from the run-and-gun days of Boogie...
'The Newsroom' Season 2 will 'just get up to Sandy... →