May 2013
9 posts
May 17th
158 notes
May 15th
34,369 notes
May 11th
2,993 notes
May 11th
265 notes
May 9th
3,468 notes
May 9th
2,122 notes
May 9th
4,517 notes
May 9th
5,942 notes
May 9th
1,809 notes
April 2013
17 posts
Apr 29th
223 notes
Apr 29th
11,176 notes
Apr 29th
48 notes
Apr 28th
12,193 notes
Apr 26th
1,135 notes
Apr 19th
56,620 notes
Apr 15th
1,519 notes
Apr 13th
52,721 notes
Apr 12th
2,773 notes
1 tag
Apr 11th
68 notes
Apr 10th
859 notes
Apr 8th
8,036 notes
Apr 6th
62,446 notes
Apr 6th
1,303 notes
Apr 5th
123,198 notes
Apr 4th
3 notes
Apr 3rd
141,551 notes
March 2013
18 posts
Mar 31st
1,297 notes
Mar 30th
3,229 notes
Mar 28th
6 notes
Video: Steadicam progress – the career of Paul... →
ohsodevine: Thinking on what sets The Master apart from Paul Thomas Anderson’s earlier films, what strikes me most vividly is a marked difference in camera movement and staging. I wouldn’t be surprised if a proper cinemetric analysis found that up to half of the film’s running time consists of close-ups with little to no camera movement. This is a far cry from the run-and-gun days of Boogie...
Mar 27th
3 notes
Mar 26th
425 notes
Mar 23rd
2,183 notes
Mar 22nd
205 notes
3 tags
Mar 16th
719 notes
Mar 16th
13,522 notes
Mar 11th
208 notes
Mar 11th
21,427 notes
3 tags
Mar 10th
2 notes
Mar 10th
3,718 notes
Mar 9th
307,569 notes
Mar 9th
166,988 notes
'The Newsroom' Season 2 will 'just get up to Sandy... →
Mar 4th
67 notes
Mar 2nd
26,052 notes
4 tags
Mar 1st
12 notes
February 2013
31 posts
Feb 28th
231,082 notes
Feb 28th
3,052 notes
Feb 28th
2,261 notes
Feb 27th
177 notes
Feb 26th
3,700 notes
Feb 24th
82,467 notes